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	<title>DaWire &#187; Video</title>
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	<link>http://dawire.com</link>
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		<title>Donna Conlon</title>
		<link>http://dawire.com/2010/11/01/donna-conlon/</link>
		<comments>http://dawire.com/2010/11/01/donna-conlon/#comments</comments>
		<pubDate>Tue, 02 Nov 2010 03:51:18 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Video]]></category>
		<category><![CDATA[Donna Conlon]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=6862</guid>
		<description><![CDATA[Donna Conlon - Urban Phantoms 2004 (Video Still). In front of the skyline of Panamá City, pieces of trash build up to construct a new city.
Originally trained as a biologist, Donna Conlon's work entails a meticulous observation of both natural and manmade surroundings. The environment, be it social, cultural or biological, is the main focus of her work. In some works, such as the video Coexistence, the natural and artificial world collide, as Conlon films ants carrying fake leaves painted as different flags and peace signs.[...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Myritza Castillo</title>
		<link>http://dawire.com/2010/08/24/myritza-castillo/</link>
		<comments>http://dawire.com/2010/08/24/myritza-castillo/#comments</comments>
		<pubDate>Tue, 24 Aug 2010 04:00:46 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[Myritza Castillo]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=5711</guid>
		<description><![CDATA[Myritza Castillo works within a very precise and calculated set-stage offering an often disjointed narrative that straddles the theatrical with the performative. Working mostly with photography and video, Castillo constructs and seemingly deconstructs narrative sequences that through pictorial motifs display very specific moments in time.[...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview with Aggtelek</title>
		<link>http://dawire.com/2010/07/30/interview-with-aggtelek-2/</link>
		<comments>http://dawire.com/2010/07/30/interview-with-aggtelek-2/#comments</comments>
		<pubDate>Fri, 30 Jul 2010 13:16:40 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Performance]]></category>
		<category><![CDATA[Aggtelek]]></category>
		<category><![CDATA[Gema Perales]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Xandro Valles]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=5272</guid>
		<description><![CDATA[Finishing off DaWire's one year week-long celebration, today we are revisiting the very first artist interview conducted for the site, featuring a conversation with the Spanish artist collective Aggtelek (Gema Perales and Xandro Vallés, 1978, Barcelona). This interview kicked off a series of conversations that have included artists such as Wilfredo Prieto and Victor Vázquez.[...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Bojan Sarcevic</title>
		<link>http://dawire.com/2010/05/11/bojan-sarcevic/</link>
		<comments>http://dawire.com/2010/05/11/bojan-sarcevic/#comments</comments>
		<pubDate>Tue, 11 May 2010 13:00:42 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Bojan Sarcevic]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=4000</guid>
		<description><![CDATA[Bojan Sarcevic work lies between the purely ornamental and the architectural. Through sculpture, video and collage, the artist creates structures that are approximations to architecture without ever building anything.[...]]]></description>
		<wfw:commentRss>http://dawire.com/2010/05/11/bojan-sarcevic/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Omer Fast</title>
		<link>http://dawire.com/2010/04/22/omer-fast/</link>
		<comments>http://dawire.com/2010/04/22/omer-fast/#comments</comments>
		<pubDate>Thu, 22 Apr 2010 17:15:14 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Video]]></category>
		<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Omer Fast]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=3803</guid>
		<description><![CDATA[Omer Fast works with film, video, and television footage to examine how individuals and histories interact with each other in narrative.[...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Vincent Lafrance</title>
		<link>http://dawire.com/2010/02/15/vincent-lafrance/</link>
		<comments>http://dawire.com/2010/02/15/vincent-lafrance/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 14:00:21 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Vincent Lafrance]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=3098</guid>
		<description><![CDATA[Inspired by many ideas at once, Vincent Lafrance constructs multiple bodies of work simultaneously using primarily video and photography. This eclectic method, once considered conceptually uncomfortable, has resulted in a body of work that is both polymorphic and discontinuous.[...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Aggtelek at Luis Adelantado Valencia</title>
		<link>http://dawire.com/2010/01/04/aggtelek-at-luis-adelantado-valencia/</link>
		<comments>http://dawire.com/2010/01/04/aggtelek-at-luis-adelantado-valencia/#comments</comments>
		<pubDate>Tue, 05 Jan 2010 01:43:38 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Aggtelek]]></category>
		<category><![CDATA[Luis Adelantando]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=2149</guid>
		<description><![CDATA[Luis Adelantado Gallery in Valencia presents the second solo show for Aggtelek (Gema Perales and Xandro Vallés) titled Slash Theater of My Mundo opening Thursday January 21st 2010.[...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Slater Bradley at Team Gallery</title>
		<link>http://dawire.com/2009/11/15/slater-bradley-at-team-gallery/</link>
		<comments>http://dawire.com/2009/11/15/slater-bradley-at-team-gallery/#comments</comments>
		<pubDate>Mon, 16 Nov 2009 00:05:28 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[If we were immortal]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Slater Bradley]]></category>
		<category><![CDATA[Team Gallery]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=1701</guid>
		<description><![CDATA[Slater Bradley's latest exhibition at Team Gallery, If we were immortal, finds the artist, primarily known for his videos, moving into painting.[...]]]></description>
		<wfw:commentRss>http://dawire.com/2009/11/15/slater-bradley-at-team-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>When a Painting Moves&#8230; Something Must be Rotten at the MAPR</title>
		<link>http://dawire.com/2009/11/07/puerto-rico-when-a-painting-moves-something-must-be-rotten-curated-by-paco-barragan/</link>
		<comments>http://dawire.com/2009/11/07/puerto-rico-when-a-painting-moves-something-must-be-rotten-curated-by-paco-barragan/#comments</comments>
		<pubDate>Sat, 07 Nov 2009 21:37:52 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Hybridization]]></category>
		<category><![CDATA[MAPR]]></category>
		<category><![CDATA[Paco Barragan]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Still Life]]></category>
		<category><![CDATA[Techno-referentiality]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[When a painting moves something must be rotten]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=1614</guid>
		<description><![CDATA[From the “everything is possible as long as it isn’t painting” attitude of the ‘90s we have arrived at “everything is possible as long as it is painting.” However, as art critics David Lillington and Benjamin Buchloh have outlined, we have returned to “a new classicism” that manifests itself in the return of easel painting and traditional values; and of which schools such as Leipzig, Dresden, and artists like Neo Rauch and Peter Doig are the clearest representatives. Maybe we should ask ourselves a basic question: what would Velazquez’s artistic practice be like today?[...]]]></description>
		<wfw:commentRss>http://dawire.com/2009/11/07/puerto-rico-when-a-painting-moves-something-must-be-rotten-curated-by-paco-barragan/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Ivan Argote</title>
		<link>http://dawire.com/2009/09/15/ivan-argote/</link>
		<comments>http://dawire.com/2009/09/15/ivan-argote/#comments</comments>
		<pubDate>Tue, 15 Sep 2009 17:48:01 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Performance]]></category>
		<category><![CDATA[Ivan Argote]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://dawire.com/2009/09/15/ivan-argote/</guid>
		<description><![CDATA[Shock full of inventiveness and humor with a rebellious twist, Ivan Argote’s work comments on the ways we traditionally regard art, by shifting the focus from the visual work to very particular actions that question the behaviors we assume within society’s parameters of what is acceptable.[...]]]></description>
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