Form Follows Function: Christopher Rivera & Hector Arce-Espasas

Monday, February 6th, 2012

Form Follows Function was the title of the joint exhibition of New York-based Puerto Rican artists Christopher Rivera and Hector Arce-Espasas at METRO. The works on view seemingly elude the basic premise of the phrase, identified with 20th century industrial design, architecture and Modernism, where most function seemingly defies and revolts from any real and present form. Form is then instinctive but controlled, where meaning is transgressed through process, resignification and the reconciliation of binary opposites. As many contemporary artists, both Rivera and Arce-Espasas create fictionalized realities, where form is not only an aesthetic choice but also a conceptual one.[...]

Nothing is True, Everything is Permitted: Josué Pellot & Hector Arce-Espasas

Thursday, September 8th, 2011

Featuring both individual and collaborative works, Josué Pellot and Héctor Arce-Espasas play upon their shared heritage with a critique of tourism’s myth of Paradise. The artists reach beyond simple autobiography by embodying histories of art, family, commerce, heritage, and nationalism in a rich visual experience in Galleries 2.5 and 3. Illuminated pineapples become the embodiment of culture, transubstantiating the subject’s body into that of a delectable fruit. Both artists struggle with the alchemy responsible for transforming culture into consumable tourist objects. Their photographs, paintings, and installations express a desire to unravel the meaning of cultural objects and the dissemination of those meanings throughout the global marketplace.[...]


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