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	<title>DaWire</title>
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	<link>http://dawire.com</link>
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		<title>La Práctica: Fellowship Program at Beta Local, Call for Applications.</title>
		<link>http://dawire.com/2012/05/12/la-practica-fellowship-program-at-beta-local-call-for-applications/</link>
		<comments>http://dawire.com/2012/05/12/la-practica-fellowship-program-at-beta-local-call-for-applications/#comments</comments>
		<pubDate>Sat, 12 May 2012 13:25:32 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Beta Local]]></category>
		<category><![CDATA[La Práctica]]></category>
		<category><![CDATA[Puerto Rico]]></category>
		<category><![CDATA[Residency]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=8422</guid>
		<description><![CDATA[Visiting artist Tim Portlock talks to La Práctica about the relationship between his work and the conventions of 19th century American painting traditions. 2012
Beta-Local is an organization and a physical space in San Juan, Puerto Rico founded in 2009 and devoted to aesthetic thought and practice. Most of what we do comes out of three main programs: La Práctica, an interdisciplinary production-based fellowship program, The Harbor, an artist residency program in support of La Práctica, and La Ivan Illich, an open school. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Christto Sanz &amp; Andrew Jay Weir at Katara Art Center</title>
		<link>http://dawire.com/2012/04/30/christto-sanz-andrew-jay-weir-at-katara-art-center/</link>
		<comments>http://dawire.com/2012/04/30/christto-sanz-andrew-jay-weir-at-katara-art-center/#comments</comments>
		<pubDate>Mon, 30 Apr 2012 13:25:45 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Andrew Weir]]></category>
		<category><![CDATA[Christto Sanz]]></category>
		<category><![CDATA[Qatar Arts Center]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=8407</guid>
		<description><![CDATA[Puerto Rican Artist Christto Sanz who currently resides in Doha, Qatar has realized his first exhibition in the Middle East. In collaboration with the South African artist Andrew Jay Weir they have developed a project that concludes with the principle idea of an extended identity. With a touch of irony and humor they present different personalities with different elements that demonstrate a shared identity between the “East” and the “West”. [...]]]></description>
		<wfw:commentRss>http://dawire.com/2012/04/30/christto-sanz-andrew-jay-weir-at-katara-art-center/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Manuel Rodríguez-Delgado &amp; Rafael Miranda at METRO</title>
		<link>http://dawire.com/2012/04/30/manuel-rodriguez-delgado-rafael-miranda-at-metro/</link>
		<comments>http://dawire.com/2012/04/30/manuel-rodriguez-delgado-rafael-miranda-at-metro/#comments</comments>
		<pubDate>Mon, 30 Apr 2012 11:13:33 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Manuel Rodríguez-Delgado]]></category>
		<category><![CDATA[Rafael Miranda]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=8353</guid>
		<description><![CDATA[Rafael Miranda, participative action.
“The future is there," Cayce hears herself say, "looking back at us. Trying to make sense of the fiction we will have become. And from where they are, the past behind us will look nothing at all like the past we imagine behind us now.”
William Gibson, Pattern Recognition
If we are today merely fiction, then, the narrative of life begins to unfold in the interstices of time, space and distance. Science fiction, or perhaps we should consider it just fiction, attempts to collapse the temporal space between the present and the future. [...]]]></description>
		<wfw:commentRss>http://dawire.com/2012/04/30/manuel-rodriguez-delgado-rafael-miranda-at-metro/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Busy Bees: An essay by Deborah Cullen, Chief Curator, 2012 Trienal Poli/Gráfica de San Juan</title>
		<link>http://dawire.com/2012/04/24/busy-bees-an-essay-by-deborah-cullen-chief-curator-2012-trienal-poligrafica-de-san-juan/</link>
		<comments>http://dawire.com/2012/04/24/busy-bees-an-essay-by-deborah-cullen-chief-curator-2012-trienal-poligrafica-de-san-juan/#comments</comments>
		<pubDate>Wed, 25 Apr 2012 01:05:20 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Charles Juhasz Alvarado]]></category>
		<category><![CDATA[Deborah Cullen]]></category>
		<category><![CDATA[San Juan]]></category>
		<category><![CDATA[Trienal Poli/Gráfica]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=8369</guid>
		<description><![CDATA[Charles Juhász-Alvarado
Sometimes artists do it better than curators. Oftentimes, in fact, they get right to the heart of the matter without our didactic curatorial worries. The project at Casa de los Contrafuertes, convened by Charles Juhász-Alvarado (with Néstor Barreto), shows rather than tells. It is a must-see event. Inspired by the theme set forth for this year’s Trienal Poli/gráfica de San Juan, “El Panal/The Hive,” these busy bees have enacted a hive of their own, thus affirming the curatorial premise that artists working with other artists remains a powerful and productive creative force.[...]]]></description>
		<wfw:commentRss>http://dawire.com/2012/04/24/busy-bees-an-essay-by-deborah-cullen-chief-curator-2012-trienal-poligrafica-de-san-juan/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Adán Vallecillo: Topografías I &amp; II and Segmentario</title>
		<link>http://dawire.com/2012/04/09/adan-vallecillo-topografias-i-ii-and-segmentario/</link>
		<comments>http://dawire.com/2012/04/09/adan-vallecillo-topografias-i-ii-and-segmentario/#comments</comments>
		<pubDate>Mon, 09 Apr 2012 11:28:00 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Adan Vallecillo]]></category>
		<category><![CDATA[ARCO]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=8303</guid>
		<description><![CDATA[Topografía I
Topografías I &#38; II and Segmentario, projects by artist Adán Vallecillo, were presented last February at the ARCO Madrid art Fair, Solo Projects section.[...]]]></description>
		<wfw:commentRss>http://dawire.com/2012/04/09/adan-vallecillo-topografias-i-ii-and-segmentario/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Duplicitous Storytellers at Casa del Lago, Mexico City, curated by Fabiola Iza</title>
		<link>http://dawire.com/2012/03/28/duplicitous-storytellers-at-casa-del-lago-mexico-city-curated-by-fabiola-iza/</link>
		<comments>http://dawire.com/2012/03/28/duplicitous-storytellers-at-casa-del-lago-mexico-city-curated-by-fabiola-iza/#comments</comments>
		<pubDate>Wed, 28 Mar 2012 13:51:08 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Fabiola Iza]]></category>
		<category><![CDATA[John Menick]]></category>
		<category><![CDATA[Mario García Torres]]></category>
		<category><![CDATA[Pablo Sigg]]></category>
		<category><![CDATA[Roisin Byrne]]></category>
		<category><![CDATA[Simon Fujiwara]]></category>
		<category><![CDATA[Stephen Prina]]></category>
		<category><![CDATA[Tyler Rowland]]></category>
		<category><![CDATA[Verónica Gerber Bicecci]]></category>
		<category><![CDATA[Walid Ra’ad]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=8305</guid>
		<description><![CDATA[Installation view
Duplicitous Storytellers is an exhibition whose point of departure posits rewriting as a conceptual strategy. A repositioning of the notion of the author— the product long-standing research on the construction of genre and figures, as well as historical and artistic movements—resounds in a dialogue among exhibition pieces.[...]]]></description>
		<wfw:commentRss>http://dawire.com/2012/03/28/duplicitous-storytellers-at-casa-del-lago-mexico-city-curated-by-fabiola-iza/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cuerpo Presente at Museo de Arte de Ponce</title>
		<link>http://dawire.com/2012/02/14/cuerpo-presente-at-museo-de-arte-de-ponce/</link>
		<comments>http://dawire.com/2012/02/14/cuerpo-presente-at-museo-de-arte-de-ponce/#comments</comments>
		<pubDate>Tue, 14 Feb 2012 12:50:29 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Adal Maldonado]]></category>
		<category><![CDATA[Arlette de la Serna]]></category>
		<category><![CDATA[Elsa Maria Melendez]]></category>
		<category><![CDATA[Javier and Javier Suárez Berrocal]]></category>
		<category><![CDATA[Museo de Arte de Ponce]]></category>
		<category><![CDATA[Norah Hernández]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=8268</guid>
		<description><![CDATA[Five special projects featuring Puerto Rican artists are currently on view at the Museo de Arte de Ponce. Curated by Arlette de la Serna, Cuerpo Presente presents visually engaging approaches to the body that are not only corporeal approximations, but also expand to critical interpretations of politics, culture and spirituality. The exhibition features works by Adal Maldonado, Elsa María Meléndez, Norah Hernández and Jaime and Javier Suárez.
[...]]]></description>
		<wfw:commentRss>http://dawire.com/2012/02/14/cuerpo-presente-at-museo-de-arte-de-ponce/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Form Follows Function: Christopher Rivera &amp; Hector Arce-Espasas</title>
		<link>http://dawire.com/2012/02/06/form-follows-function-christopher-rivera-hector-arce-espasas/</link>
		<comments>http://dawire.com/2012/02/06/form-follows-function-christopher-rivera-hector-arce-espasas/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 11:49:02 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Christopher Rivera]]></category>
		<category><![CDATA[hector arce-espasas]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=8245</guid>
		<description><![CDATA[Form Follows Function was the title of the joint exhibition of New York-based Puerto Rican artists Christopher Rivera and Hector Arce-Espasas at METRO. The works on view seemingly elude the basic premise of the phrase, identified with 20th century industrial design, architecture and Modernism, where most function seemingly defies and revolts from any real and present form. Form is then instinctive but controlled, where meaning is transgressed through process, resignification and the reconciliation of binary opposites. As many contemporary artists, both Rivera and Arce-Espasas create fictionalized realities, where form is not only an aesthetic choice but also a conceptual one.[...]]]></description>
		<wfw:commentRss>http://dawire.com/2012/02/06/form-follows-function-christopher-rivera-hector-arce-espasas/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hannes Zebedin</title>
		<link>http://dawire.com/2012/01/30/hannes-zebedin/</link>
		<comments>http://dawire.com/2012/01/30/hannes-zebedin/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 11:32:45 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[AREA]]></category>
		<category><![CDATA[Hannes Zebedin]]></category>
		<category><![CDATA[Minimalism]]></category>
		<category><![CDATA[Political]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=8235</guid>
		<description><![CDATA[Hannes Zebedin: Political Minimalism at AREA
 
This past November AREA: Lugar de Proyectos invited Austrian artist Hannes Zebedin (Lienz, 1976) to take up residence in AREA’s exhibition space in Caguas, Puerto Rico,  where he created a series of site-specific minimal interventions resulting from first-hand observation and investigation (through casual conversations) of the island’s political and socio-economic climate. Zebedin, a seasoned traveler, is often invited to international spaces and institutions to create temporary interventions that respond to particular political contexts, redefined and interpreted through the discerning eye of the ‘foreigner’ or ‘stranger.’ In this particular context, Puerto Rico’s elegantly worded yet ambiguous political status figured predominantly in Zebedin’s work.[...]]]></description>
		<wfw:commentRss>http://dawire.com/2012/01/30/hannes-zebedin/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Dialectic City: Document &#124; Context at Laboratorio de Artes Binarios</title>
		<link>http://dawire.com/2012/01/23/the-dialectic-city-document-context-at-laboratorio-de-artes-binarios/</link>
		<comments>http://dawire.com/2012/01/23/the-dialectic-city-document-context-at-laboratorio-de-artes-binarios/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 11:48:49 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Adriana Bustos]]></category>
		<category><![CDATA[Alexander Apóstol]]></category>
		<category><![CDATA[Carla Acevedo Yates]]></category>
		<category><![CDATA[David Lamelas]]></category>
		<category><![CDATA[Francis Alÿs]]></category>
		<category><![CDATA[Ivan Argote]]></category>
		<category><![CDATA[Jason Mena]]></category>
		<category><![CDATA[José Luis Cortés]]></category>
		<category><![CDATA[Juan Alberto Negroni]]></category>
		<category><![CDATA[Laboratorio de Artes Binarios]]></category>
		<category><![CDATA[Norma Vila Rivero]]></category>
		<category><![CDATA[Omar Velázquez]]></category>
		<category><![CDATA[The Dialectic City]]></category>
		<category><![CDATA[Victor Sosa]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=8149</guid>
		<description><![CDATA[Hey there! Below you can find the catalogue essay for the exhibition The Dialectic City: Document &#124; Context that closed last November at Laboratorio de Artes Binarios. Enjoy! -Carla Acevedo-Yates “To capture a city in an image means following its movement.” Nicolas Bourriaud, The Radicant The city is comprised of colliding elements; conflicting mechanisms that through [...]]]></description>
		<wfw:commentRss>http://dawire.com/2012/01/23/the-dialectic-city-document-context-at-laboratorio-de-artes-binarios/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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