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	<title>DaWire</title>
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	<link>http://dawire.com</link>
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		<title>Interview with Aggtelek</title>
		<link>http://dawire.com/2010/07/30/interview-with-aggtelek-2/</link>
		<comments>http://dawire.com/2010/07/30/interview-with-aggtelek-2/#comments</comments>
		<pubDate>Fri, 30 Jul 2010 13:16:40 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Performance]]></category>
		<category><![CDATA[Aggtelek]]></category>
		<category><![CDATA[Gema Perales]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Xandro Valles]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=5272</guid>
		<description><![CDATA[<p style="text-align: justify;"><img style="border: 0 initial initial;" title="Aggtelek - Polymorphous" src="http://72.29.71.39/~dawirec/wp-content/uploads/2009/09/aggtelek-polymorphous.jpg" alt="Aggtelek - Polymorphous" width="500" height="333" /></p>
<p style="text-align: justify;">Finishing off DaWire's one year week-long celebration, today we are revisiting the very first artist interview conducted for the site, featuring a conversation with the Spanish artist collective <a title="Aggtelek" href="http://www.aggtelek.net/" target="_blank">Aggtelek</a> (Gema Perales and Xandro Vallés, 1978, Barcelona). This interview kicked off a series of conversations that have included artists such as <a title="Wilfredo Prieto" href="http://dawire.com/2009/10/29/interview-with-wilfredo-prieto/" target="_blank">Wilfredo Prieto</a> and <a title="Conversation with Victor Vázquez" href="http://dawire.com/2009/12/16/studio-visit-conversations-with-victor-vazquez/" target="_blank">Victor Vázquez</a>.[...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Habacuc and the imperatives of beauty, kindness and truth</title>
		<link>http://dawire.com/2010/07/29/habacuc-and-the-imperatives-of-beauty-kindness-and-truth-2/</link>
		<comments>http://dawire.com/2010/07/29/habacuc-and-the-imperatives-of-beauty-kindness-and-truth-2/#comments</comments>
		<pubDate>Thu, 29 Jul 2010 13:00:18 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Guillermo Vargas Habacuc]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=5250</guid>
		<description><![CDATA[<a href="http://dawire.com/wp-content/uploads/2010/02/habacuc-1.jpg"><img title="Guillermo Habacuc Vargas" src="http://dawire.com/wp-content/uploads/2010/02/habacuc-1.jpg" alt="habacuc 1 Habacuc and the imperatives of beauty, kindness and truth" width="500" height="375" /></a>
<p style="text-align: justify;">The article we are featuring today as a part of our week-long 1 year celebration is on an extremely controversial work that made worldwide headlines in the arts and human rights communities. I am talking about Guillermo Vargas "Habacuc," the infamous Costa Rican artist who tied up a stray dog during a show and left him to starve to prove a point. Adán Vallecillo's essay eloquently explains not just the ethical problems the work poses, but the economic and political reasons that motivated the work; ideas that are seemingly completely obscured by the shocking nature of the work.[...]]]></description>
		<wfw:commentRss>http://dawire.com/2010/07/29/habacuc-and-the-imperatives-of-beauty-kindness-and-truth-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ARCO 2010: VIP Program in Murcia</title>
		<link>http://dawire.com/2010/07/28/arco-2010-vip-program-in-murcia/</link>
		<comments>http://dawire.com/2010/07/28/arco-2010-vip-program-in-murcia/#comments</comments>
		<pubDate>Wed, 28 Jul 2010 11:52:50 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[ARCO]]></category>
		<category><![CDATA[Diana McClure]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=5243</guid>
		<description><![CDATA[As most of you may have noticed, to celebrate DaWire&#8217;s first year, this week we are revisiting articles that have made an impact in one way or the other. They are fan favorites, personal favorites or just plain great reads. Today we are featuring an article by Diana McClure on Murcia&#8217;s contemporary art scene, written [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Transgressions on an Artbook: Hector Falcón</title>
		<link>http://dawire.com/2010/07/27/transgressions-on-an-artbook-hector-falcon/</link>
		<comments>http://dawire.com/2010/07/27/transgressions-on-an-artbook-hector-falcon/#comments</comments>
		<pubDate>Tue, 27 Jul 2010 11:31:18 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Artbook]]></category>
		<category><![CDATA[Hector Falcon]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=5233</guid>
		<description><![CDATA[<a href="http://dawire.com/wp-content/uploads/2010/02/Hector-Falcon-The-Stranger1.jpg"><img title="Hector Falcon - The Stranger" src="http://dawire.com/wp-content/uploads/2010/02/Hector-Falcon-The-Stranger1.jpg" alt="Hector Falcon The Stranger1 Héctor Falcón: Transgressions on an Artbook" width="500" height="409" /></a>
<p style="text-align: justify;">Continuing our one year celebration, today we are revisiting an article by our contributing writer in Mexico City Alejandro Sordo-Guzmán on the work of <a title="Hector Falcón" href="http://www.hectorfalcon.com/" target="_blank">Hector Falcón</a>. The book, its uses and transmutation by the hand of the artist into an art object makes us reflect further about how the act of mutilation turns into one of discovery.]]></description>
		<wfw:commentRss>http://dawire.com/2010/07/27/transgressions-on-an-artbook-hector-falcon/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DaWire&#8217;s First Year: Catherine Matos Olivo</title>
		<link>http://dawire.com/2010/07/26/dawires-first-year-catherine-matos-olivo/</link>
		<comments>http://dawire.com/2010/07/26/dawires-first-year-catherine-matos-olivo/#comments</comments>
		<pubDate>Mon, 26 Jul 2010 16:53:12 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Catherine Matos Olivo]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=5216</guid>
		<description><![CDATA[<strong><img title="Cati Matos - Trabajo=Trabajo" src="http://72.29.71.39/~dawirec/wp-content/uploads/2009/07/trabajo-trabajo-rasta-store.jpg" alt="Cati Matos - Trabajo=Trabajo" width="500" height="750" /></strong>
<p style="text-align: justify;">On July 26th 2009, I founded DaWire to provide a serious platform for emerging writers and artists. The idea started in San Juan, with one single essay, and with a lot of motivation to accomplish something different from what was already around. After arriving in Puerto Rico after 12 good years abroad, my good friend and artist Catherine Matos Olivo suggested I write an essay about her work for publication in the visual arts section of <a title="Small Axe" href="http://www.smallaxe.net/" target="_blank">Small Axe</a> curated by <a title="Christopher Cozier" href="http://christophercozier.blogspot.com/" target="_blank">Christopher Cozier</a>. I accepted and embarked on a series of writings on Puerto Rican emerging artists that included <a title="Josué Pellot" href="http://dawire.com/2009/08/19/jason-mena-branding-ideologies/" target="_blank">Josué Pellot</a> and <a title="Jason Mena: Branding Ideologies" href="http://dawire.com/2009/08/19/jason-mena-branding-ideologies/" target="_blank">Jason Mena</a>.]]></description>
		<wfw:commentRss>http://dawire.com/2010/07/26/dawires-first-year-catherine-matos-olivo/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>You Were There at Rachel Uffner</title>
		<link>http://dawire.com/2010/07/22/you-were-there-at-rachel-uffner/</link>
		<comments>http://dawire.com/2010/07/22/you-were-there-at-rachel-uffner/#comments</comments>
		<pubDate>Fri, 23 Jul 2010 01:27:33 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Joe Bradley]]></category>
		<category><![CDATA[Josh Smith]]></category>
		<category><![CDATA[Justin Adian]]></category>
		<category><![CDATA[Rita Ackermann]]></category>
		<category><![CDATA[Sara Greenberger Rafferty]]></category>
		<category><![CDATA[Sarah Braman]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=5177</guid>
		<description><![CDATA[<p style="text-align: justify;"><a href="http://dawire.com/wp-content/uploads/2010/07/Sarah-Braman-Installation-View.jpg"><img class="alignnone size-full wp-image-5183" title="Sarah Braman - Installation View" src="http://dawire.com/wp-content/uploads/2010/07/Sarah-Braman-Installation-View.jpg" alt="" width="500" height="493" /></a></p>
<p style="text-align: justify;"><em>You Were There</em>, an exhibition curated by Thomas Duncan at <a title="Rachel Uffner Gallery" href="http://www.racheluffnergallery.com" target="_blank">Rachel Uffner Gallery</a>, features work by Rita Ackermann, Justin Adian, Joe Bradley, Sarah Braman, Sara Greenberger Rafferty, and Josh Smith. The<em> </em>exhibition examines how time affects an artist’s practice, attitude and overall outlook.[...]]]></description>
		<wfw:commentRss>http://dawire.com/2010/07/22/you-were-there-at-rachel-uffner/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Steven Baldi Lucas Knipscher at Andrew Kreps</title>
		<link>http://dawire.com/2010/07/22/steven-baldi-lucas-knipscher-at-andrew-kreps/</link>
		<comments>http://dawire.com/2010/07/22/steven-baldi-lucas-knipscher-at-andrew-kreps/#comments</comments>
		<pubDate>Thu, 22 Jul 2010 13:00:47 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Lucas Knipscher]]></category>
		<category><![CDATA[Steven Baldi]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=5145</guid>
		<description><![CDATA[<p style="text-align: justify;"><img class="alignnone size-full wp-image-5170" title="Steven Baldi Lucas Knipscher - Installation View2" src="http://dawire.com/wp-content/uploads/2010/07/Steven-Baldi-Lucas-Knipscher-Installation-View2.jpg" alt="" width="500" height="333" /></p>
<p style="text-align: justify;">New York-based artists Steven Baldi and Lucas Knipscher have a show currently on view at <a title="Andrew Kreps Gallery" href="http://www.andrewkreps.com" target="_blank">Andrew Kreps Gallery</a> until August 7th. The show is a continuation of a project initiated by Piper Marshall of the Swiss Institute at Vox Populi Gallery in Philadelphia.  The current manifestation of the exhibition considers the capacity for images to synchronously reveal and obstruct meaning by ways of construction and reconfiguration. The works in the show reflect the shifts of geography and time, and include sculpture, film, photography and painting.[...]]]></description>
		<wfw:commentRss>http://dawire.com/2010/07/22/steven-baldi-lucas-knipscher-at-andrew-kreps/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bacon&#8217;s Dog: Dani Marti at BREENSPACE</title>
		<link>http://dawire.com/2010/07/21/bacons-dog-dani-marti-at-breenspace/</link>
		<comments>http://dawire.com/2010/07/21/bacons-dog-dani-marti-at-breenspace/#comments</comments>
		<pubDate>Wed, 21 Jul 2010 13:04:19 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[BREENSPACE]]></category>
		<category><![CDATA[Dani Marti]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=5108</guid>
		<description><![CDATA[<a href="http://dawire.com/wp-content/uploads/2010/07/Dani-Marti-Bacons-Dog-Installation-View1.jpg"><img class="alignnone size-full wp-image-5111" title="Dani Marti - Bacon's Dog - Installation View" src="http://dawire.com/wp-content/uploads/2010/07/Dani-Marti-Bacons-Dog-Installation-View1.jpg" alt="" width="500" height="333" /></a>
<p style="text-align: justify;"><a title="Dani Marti" href="http://danimarti.com/" target="_blank">Dani Marti</a>'s work deals with the impossibility of portraiture and unveils the frenetic desire in each of us to capture through a photograph, an object or a video the essence of a person. In his work, Marti pairs different mediums such as painting with video and photography, to construct a portrait of someone with whom he has had a personal, creative and/or sexual relationship. Marti transforms this very intimate encounter, however ephemeral it may have been, into an intricate pattern, a woven account of image, text and object that transcends the traditional notions of painting and portraiture.]]></description>
		<wfw:commentRss>http://dawire.com/2010/07/21/bacons-dog-dani-marti-at-breenspace/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Max Weiler at Galerie Elisabeth &amp; Klaus Thoman</title>
		<link>http://dawire.com/2010/07/20/max-weiler-at-galerie-elisabeth-klaus-thoman/</link>
		<comments>http://dawire.com/2010/07/20/max-weiler-at-galerie-elisabeth-klaus-thoman/#comments</comments>
		<pubDate>Tue, 20 Jul 2010 13:31:51 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Max Weiler]]></category>
		<category><![CDATA[Painting]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=5028</guid>
		<description><![CDATA[<p style="text-align: justify;"><a href="http://dawire.com/wp-content/uploads/2010/07/Max-Weiler-Alle-1060.jpg"><img class="alignnone size-full wp-image-5095" title="Max Weiler - Alle (1060)" src="http://dawire.com/wp-content/uploads/2010/07/Max-Weiler-Alle-1060.jpg" alt="" width="500" height="474" /></a></p>
<p style="text-align: justify;">On the occasion of the centenary of Max Weiler’s birthday, <a title="Galerie Elisabeth &#38; Klaus Thoman" href="http://www.galeriethoman.com/" target="_blank">Galerie Elisabeth &#38; Klaus Thoman</a> dedicates an extensive exhibition to the doyen of Austrian landscape painting that will primarily consist of rarely seen masterpieces. The spectrum will reach from the representational earlyworks of the nineteen-forties via the milestones of painterly abstraction of the sixties and the lyrically reduced works of the seventies all the way to the brightly coloured,impulsive late works.]]></description>
		<wfw:commentRss>http://dawire.com/2010/07/20/max-weiler-at-galerie-elisabeth-klaus-thoman/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Warhol and Duchamp: Just like Bradshaw and Swann</title>
		<link>http://dawire.com/2010/07/19/warhol-and-duchamp-just-like-bradshaw-and-swann/</link>
		<comments>http://dawire.com/2010/07/19/warhol-and-duchamp-just-like-bradshaw-and-swann/#comments</comments>
		<pubDate>Mon, 19 Jul 2010 13:00:48 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Marcel Duchamp]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=5081</guid>
		<description><![CDATA[<p style="text-align: justify;"><a href="http://dawire.com/wp-content/uploads/2010/07/Warhol-Duchamp.jpg"><img class="alignnone size-full wp-image-5082" title="Warhol - Duchamp" src="http://dawire.com/wp-content/uploads/2010/07/Warhol-Duchamp.jpg" alt="" width="500" height="327" /></a></p>
<p style="text-align: justify;">Continuing our partnership with our west coast friends at <a title="DailyServing" href="http://dailyserving.com/" target="_blank">DailyServing</a>, today we feature an excellent article written by Michael Tomeo of the current show at the <a onclick="pageTracker._trackPageview('/outgoing/www.warhol.org/?referer=');" href="http://www.warhol.org/" target="_blank">Andy Warhol Museum</a> in Pittsburgh that draws comparisons between Andy Warhol and Marcel Duchamp, pairing works and showing archival material of two of the most fascinating artists of the 20th century.]]></description>
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		<slash:comments>0</slash:comments>
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