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	<title>DaWire &#187; Artists</title>
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		<title>Transgressions on an Artbook: Hector Falcón</title>
		<link>http://dawire.com/2010/07/27/transgressions-on-an-artbook-hector-falcon/</link>
		<comments>http://dawire.com/2010/07/27/transgressions-on-an-artbook-hector-falcon/#comments</comments>
		<pubDate>Tue, 27 Jul 2010 11:31:18 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Artbook]]></category>
		<category><![CDATA[Hector Falcon]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=5233</guid>
		<description><![CDATA[<a href="http://dawire.com/wp-content/uploads/2010/02/Hector-Falcon-The-Stranger1.jpg"><img title="Hector Falcon - The Stranger" src="http://dawire.com/wp-content/uploads/2010/02/Hector-Falcon-The-Stranger1.jpg" alt="Hector Falcon The Stranger1 Héctor Falcón: Transgressions on an Artbook" width="500" height="409" /></a>
<p style="text-align: justify;">Continuing our one year celebration, today we are revisiting an article by our contributing writer in Mexico City Alejandro Sordo-Guzmán on the work of <a title="Hector Falcón" href="http://www.hectorfalcon.com/" target="_blank">Hector Falcón</a>. The book, its uses and transmutation by the hand of the artist into an art object makes us reflect further about how the act of mutilation turns into one of discovery.]]></description>
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		<title>DaWire&#8217;s First Year: Catherine Matos Olivo</title>
		<link>http://dawire.com/2010/07/26/dawires-first-year-catherine-matos-olivo/</link>
		<comments>http://dawire.com/2010/07/26/dawires-first-year-catherine-matos-olivo/#comments</comments>
		<pubDate>Mon, 26 Jul 2010 16:53:12 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Catherine Matos Olivo]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=5216</guid>
		<description><![CDATA[<strong><img title="Cati Matos - Trabajo=Trabajo" src="http://72.29.71.39/~dawirec/wp-content/uploads/2009/07/trabajo-trabajo-rasta-store.jpg" alt="Cati Matos - Trabajo=Trabajo" width="500" height="750" /></strong>
<p style="text-align: justify;">On July 26th 2009, I founded DaWire to provide a serious platform for emerging writers and artists. The idea started in San Juan, with one single essay, and with a lot of motivation to accomplish something different from what was already around. After arriving in Puerto Rico after 12 good years abroad, my good friend and artist Catherine Matos Olivo suggested I write an essay about her work for publication in the visual arts section of <a title="Small Axe" href="http://www.smallaxe.net/" target="_blank">Small Axe</a> curated by <a title="Christopher Cozier" href="http://christophercozier.blogspot.com/" target="_blank">Christopher Cozier</a>. I accepted and embarked on a series of writings on Puerto Rican emerging artists that included <a title="Josué Pellot" href="http://dawire.com/2009/08/19/jason-mena-branding-ideologies/" target="_blank">Josué Pellot</a> and <a title="Jason Mena: Branding Ideologies" href="http://dawire.com/2009/08/19/jason-mena-branding-ideologies/" target="_blank">Jason Mena</a>.]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Sexual Deployment: Regina José Galindo</title>
		<link>http://dawire.com/2010/07/08/sexual-deployment-regina-jose-galindo/</link>
		<comments>http://dawire.com/2010/07/08/sexual-deployment-regina-jose-galindo/#comments</comments>
		<pubDate>Thu, 08 Jul 2010 13:00:50 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Regina José Galindo]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=4767</guid>
		<description><![CDATA[<a href="http://dawire.com/wp-content/uploads/2010/07/Regina-Galindo-Perra.jpg"><img class="alignnone size-full wp-image-4779" title="Regina Galindo - Perra" src="http://dawire.com/wp-content/uploads/2010/07/Regina-Galindo-Perra.jpg" alt="" width="500" height="350" /></a>
<p style="text-align: justify;">Performance art lends itself to the utilization of the body as a resource, a space for discussion and a mechanism for discourse.  <a title="Regina José Galindo" href="http://www.reginajosegalindo.com/" target="_blank">Regina José Galindo</a> is a Guatemalan performance artist that uses her body to denounce social and political injustices, but also to address issues related to sexuality and women.[...]]]></description>
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		<title>Sexual Deployment: Janine Antoni</title>
		<link>http://dawire.com/2010/07/07/sexual-deployment-janine-antoni/</link>
		<comments>http://dawire.com/2010/07/07/sexual-deployment-janine-antoni/#comments</comments>
		<pubDate>Wed, 07 Jul 2010 04:01:32 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Janine Antoni]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=4752</guid>
		<description><![CDATA[<a href="http://dawire.com/wp-content/uploads/2010/07/Janine-Antoni-Conduit-20091.jpg"><img class="alignnone size-full wp-image-4755" title="Janine Antoni - Conduit, 2009" src="http://dawire.com/wp-content/uploads/2010/07/Janine-Antoni-Conduit-20091.jpg" alt="" width="500" height="432" /></a>
<p style="text-align: justify;">For today's installment of S<em>exual Deployment: The Body as Method for Discourse</em> we present work from artist Janine Antoni. Antoni utilizes her body as both a mechanism for making art and an art object. Antoni sculpts with her teeth and even paints with her hair, exploring the physicality of the body as well as social and cultural constructions of femininity.[...]]]></description>
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		<title>Sexual Deployment: Ryoko Suzuki</title>
		<link>http://dawire.com/2010/07/06/sexual-deployment-ryoko-suzuki/</link>
		<comments>http://dawire.com/2010/07/06/sexual-deployment-ryoko-suzuki/#comments</comments>
		<pubDate>Tue, 06 Jul 2010 04:01:27 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Ryoko Suzuki]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=4746</guid>
		<description><![CDATA[<a href="http://dawire.com/wp-content/uploads/2010/07/Ryoko-Suzuki-Bind.jpg"><img class="alignnone size-full wp-image-4748" title="Ryoko Suzuki - Bind" src="http://dawire.com/wp-content/uploads/2010/07/Ryoko-Suzuki-Bind.jpg" alt="" width="500" height="635" /></a>
<p style="text-align: justify;">The title Sexual Deployment is taken from Michel Foucault's seminal work <em>The History of Sexuality</em>, where he analyzes the politics of power surrounding our approach to sexuality. In it, Foucault defines what he calls 'the deployment of alliance' and 'the deployment of sexuality,' two opposing systems that address sexuality in completely different ways and where power is a game that centers on the body.[...]]]></description>
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		<title>Sexual Deployment: Hannah Wilke</title>
		<link>http://dawire.com/2010/07/05/sexual-deployment-hannah-wilke/</link>
		<comments>http://dawire.com/2010/07/05/sexual-deployment-hannah-wilke/#comments</comments>
		<pubDate>Mon, 05 Jul 2010 13:11:35 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Hannah Wilke]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=4687</guid>
		<description><![CDATA[<a href="http://dawire.com/wp-content/uploads/2010/07/Hannah-Wilke.jpg"><img class="alignnone size-full wp-image-4688" title="Hannah Wilke" src="http://dawire.com/wp-content/uploads/2010/07/Hannah-Wilke.jpg" alt="" width="500" height="744" /></a>
<p style="text-align: justify;">We want to provide our readers with more than just news on artists and exhibitions, that's why once a month we will bring you one full week dedicated to a particular theme or subject, presenting contemporary artists within a curatorial, conceptual or theoretical framework. <em>Sexual Deployment: The Body as Method for Discourse</em> presents five women artists that use their bodies as a political and social space to address issues of sexuality, feminism and femininity.[...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Ivelisse Jiménez</title>
		<link>http://dawire.com/2010/02/23/ivelisse-jimenez/</link>
		<comments>http://dawire.com/2010/02/23/ivelisse-jimenez/#comments</comments>
		<pubDate>Tue, 23 Feb 2010 14:00:05 +0000</pubDate>
		<dc:creator>dawire</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Construction]]></category>
		<category><![CDATA[Ivelisse Jimenez]]></category>
		<category><![CDATA[Painting]]></category>

		<guid isPermaLink="false">http://dawire.com/?p=3170</guid>
		<description><![CDATA[<p style="text-align: justify;"><a href="http://dawire.com/wp-content/uploads/2010/02/Ivelisse-Jimenez-41.jpg"><img class="alignnone size-full wp-image-3221" title="Ivelisse Jimenez" src="http://dawire.com/wp-content/uploads/2010/02/Ivelisse-Jimenez-41.jpg" alt="" width="500" height="610" /></a></p>
<p style="text-align: justify;"><span style="font-weight: normal; font-size: 13px;"><a title="Ivelisse Jimenez" href="http://www.ivelissejimenez.com/" target="_blank">Ivelisse Jiménez</a> uses painting as a point of departure to construct pieces that deal with the idea of simultaneity and contradiction. The manner in which objects, images and materials are articulated questions the hierarchies of what is most present.[...]]]></description>
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