Archive for October, 2009

Interview with Wilfredo Prieto

Thursday, October 29th, 2009

Wilfredo Prieto - Apolitico

Precione aquí para descargar entrevista en español

Wilfredo Prieto is an artist living in Havana, Cuba. He has shown his work at PSI MoMA, the Louvre Museum, the VII Havana Biennial and the Irish Museum of Modern Art in Dublin. He recently won the 2008 Cartier Foundation Award (Frieze Foundation/Gasworks Residency in London), and was also selected for the John Simon Guggenheim Fellowship in 2002. Amidst a hectic European travel schedule, I had the opportunity to converse with Wilfredo about his work.[...]

BASE(S) at Luis Adelantado Gallery

Tuesday, October 27th, 2009

Monserrat Soto

To ask about the experimental implication of the creators and their work is common in our sector, but it is not so usual to question the processes, the structures (Museums, Galleries, Fairs, Biennial…) that negotiate, make visible, endow value to, and also commercialize, those works.[...]

Josue Pellot at the Chicago Cultural Center

Saturday, October 24th, 2009

Josué Pellot - Dama a caballo

Chicago-based artist Josué Pellot opened his most recent solo show, titled New Work, at the Chicago Cultural Center last week. The exhibition features photographs and installations that investigate ideas of consumerism and the politics of identity within Puerto Rican culture.[...]

Beyond Process at Renwick Gallery

Monday, October 19th, 2009

Jason Kraus - White Final

Renwick Gallery is pleased to announce the group show “Beyond Process”. The exhibition will feature nine artists, eight of whom are unrepresented in New York. Artists include Lucas Ajemian, Patterson Beckwith, Phil Chang, Samara Golden, Alexander Hoda, George Kontos, Jason Kraus, Megan Marrin, and Lisa Williamson.[...]

Death, Transition and Celebration of Life

Sunday, October 18th, 2009

E-FLYER COLECTIVA DIA DE MUERTOS

BlackboxArt Foundation and the Consulate of Mexico present forty-three Puerto Rican artists celebrating, through art, folklore and cultural exchange, one of the most important traditions in Mexico, “The Day of the Dead.” The exhibition will take place November 2nd at La Respuesta, 1600 Fernández Juncos esq. Del Parque, San Juan, Puerto Rico from 7:00 – 10:00 pm.[...]

Tracking the Lower East Side

Saturday, October 10th, 2009

Talia-Chetrit_Primary-#469B49

For the last four years, the Lower East Side has been emerging as the place where young galleries have started to thrive. And as happening as Chelsea is on the first couple of weeks of September, the Lower East Side galleries have been consistently presenting contemporary artists with a cutting edge practice. So, during my last trip to New York, I ventured downtown to the Lower East Side for a couple of nights of gallery hopping.[...]

Michael Najjar at Bitforms Gallery

Wednesday, October 7th, 2009

Michael Najjar - Nasdaq 80-09

Bitforms Gallery is pleased to announce a third solo exhibition with German photographic artist Michael Najjar and the world premiere of his high altitude work series.[...]

Manuel Rodriguez

Sunday, October 4th, 2009

Manuel Rodriguez - Maquina para modelar aire

From contemplation to an imagined utopic reality, Manuel Rodríguez’s work, through sculptures, installations and modified found objects and inventions, intends to reconcile possibilities with impossibilities. The idea of flight and of molding air are some of these improbable proposals. In his most recent work, he tackles ideas of gravity, energy, space and speed, referencing artists such as Brancusi and Panamarenko. Manuel maintains that his work “depends a great deal on the relationship between the linguistic and the visual, generated by the juxtaposition of my objects, always keeping the paradox of uselessness and the range of illusion.”[...]

Andrés Mignucci & María de Mater O’Neill, Painting for a Specific Floor

Friday, October 2nd, 2009

Andrés Mignucci & María de Mater O'Neill - Painting for a Specific Floor

Painting for a Specific Floor is a collaborative work that explores the ideas of horizontality and fluidity, as well as surfaces and topography. The work defies the preconception of the work of art as an object meant solely to be looked at. It also challenges the supremacy of the visual sense over other senses, betting on a direct experience with the work; an encounter between the spectator and the work, the piece and the place it inhabits.[...]


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